Seyrin Kırmızı Noktası
- 100 cm x 73 cm x 3 cm
Birsen Çakar
İstanbul
Manifesto: “Seyrin Kırmızı Noktası”
Manifesto; “The Red Dot of the Journey”
“Red Memories: The Inner Stage”
“The Refraction of Light”
“The Self from the Perspective of the Spectators”
This work, as part of the "Red Memories" series, aims to make the inner scene of memory visible. The figure in the painting is presented in the center of the light, wrapped and surrounded by red ties. His body is perhaps wrapped in fragility, perhaps in the past; but his face is turned inward. It is the embodied state of remembering.
The golden rays carry not the weight of the past, but its light. However, this light does not reach the audience directly. They are in the dark, in the position of the audience.
Each figure represents another me watching.
This scene does not show the reflection of what is happening inside in the outside world - on the contrary - it questions the transfer of the inner world to the stage.
This picture is not a show.
This picture is our own state of being that is being watched.
Red ribbons are not only ties - they are also veins of memories. Each embrace is another way of touching the past.
Details
- Height 100 cm
- Width 73 cm
- Depth 3 cm
- Mediums Photography
Availability Status
₺11.200,00
Local Pickup
İstanbul,
Türkiye
Domestic Shipping
Türkiye
Pay directly to the artist with no commission
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About the Artist
Birsen Çakar, 26 Ocak 1997'de Osmaniye'de doğdu. Trakya Üniversitesi'nden sanat eğitimi bölümünden mezun olduktan sonra, kendi özgün anlatım tarzını geliştirerek sanatsal yolculuğuna devam etti.
Onun için sanat sadece estetik bir arayış değil, aynı zamanda insan ruhunun sessiz ve samimi bir keşfidir. Eserlerinde genellikle yüzleri bulanık ve kimlikleri belirsiz figürler yer alır. Duyguların, acının, kederin veya özlemin belirli bir kimliği olduğuna inanmadığı için figürlerinin yüzleri bulanık ve kimlikleri belirsizdir. Evrensel duygulara değinmeyi ve herkesin kendini özdeşleştirebileceği ortak bir duygusal dünya yaratmayı amaçlamaktadır.
Çalışmalarında yağlı boya, pastel ve çeşitli diğer teknikleri bir araya getirmeyi seviyor. Ayrıca dijital sanat üretmeye de devam ediyor. Her teknik, aktarmak istediği duyguların farklı bir yönünü ortaya çıkarıyor. Figürlerindeki eller, omuzlar, kucaklamalar ve dokunuşlar, sessizce söylenen cümleler gibidir. Yüzlerin olmaması bir eksiklik değil, izleyicilere kendi hikayelerini yansıtabilecekleri bir alan sağlıyor.
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